Showing posts with label kim casebeer. Show all posts
Showing posts with label kim casebeer. Show all posts

Monday, May 7, 2012

Kim Casebeer Workshop

Historic bridge near Clements, KS

Trucks like these were easy to find.

The workshop was at the Flying W Ranch.  What wonderful accomodations.

It doesn't get much better than this.  There were horses everywhere!

Kim is giving a lecture on 'equipment for plein air'.  

Everywhere you looked there was a splendid area for painting.  The 'light' was wonderful in KS.

This is one of 3 buildings we stayed at.  The ranch is set up as a 'bed and breakfast'.  

These beautiful horses were across the road from the 'bunkhouse'.

Friday we began with painting skies.  In this photo Kim is demonstrating element #1.

The line up of art students on the road in front of the bunkhouse.  Day one the elements:  skies, trees, rocks and water.

Demo #2: trees.

Demo #3 was for painting (hard) rocks.

Another line up of art students!

Kim doing a rock and water demo.

Sat. we set out for the KS vista morning painting.  Kim reminded us of how sometimes overwhelming the KS landscape can be.  The early morning light was changing fast so she broke the demo in to 2 or 3 parts.  Facing the morning sun was a little tricky.  
This is a zoomed in photo of the area.

Elaine Lierly Jones was taking this class, but using her pastels.  Elaine has a wonderful pastel painting in the Symphony of the Flint Hills event that is coming up.  Her pastel work is amazing.  The set up for using pastels in plein air work appears to be a little tricky.  
Part 2 of the demo on vistas.

There were 2 Rocky Mountain horses that were in our area.  The owners were from Olathe and Versailles.  This happens to be my favorite breed of horse.  How lucky I was to get to photograph them for future reference paintings.

Sat. evening we ate at the Grand Central Hotel in Cottonwood Falls, KS.   

This is a view of the bunkhouse porch.    Not exactly 'roughing it'.  

Kim was directing a critique the final morning.  

Saturday, February 11, 2012

Kim Casebeer Workshops coming up!!!


I wanted to post information from Kim Casebeer's web site on her upcoming workshops!


Plein Air in the Flint Hills

$475.00
Location: Flying W Ranch, Clements, KS
1515 G Road
Cedar Point Kansas 66843
United States
Join me for a unique workshop experience in the Flint Hills!  Painting, lodging and meals will all be held at the Flying W Ranch area, allowing an art colony style environment in which to immerse ourselves for three days.  This gives us an opportunity to learn from each other not only during our painting hours, but also during meal time and in the evenings.

In this workshop, we will be painting outdoors from life.  We will start the workshop creating many studies of particular elements in the landscape – rocks, trees, water and sky.  We will then work on putting elements together along with understanding how to create convincing land formations.  By focusing on the pieces of the landscape, the plein air experience can be less intimidating.  I will demo each of these elements as well as other demos as needed.  Participants will receive individual attention geared toward their skill level.

Each evening we will discuss topics of interest, such as materials, varnishing paintings, creating a portfolio, and really anything of interest to the class.  When registering, please include a topic you would like discussed and I will try to accommodate.

Workshop will be held rain or shine!  Be prepared to paint in a variety of weather.  If heavy rain or other adverse weather keeps us indoors, subject matter for indoor painting will be provided.

Tuition:  $475 per person, which includes workshop instruction, 3 nights lodging at the Flying W Ranch, and all meals from Thurs. night through Sunday morning, except for Saturday night when we will go to the Grand Central Hotel in Cottonwood Falls for dinner.  Everyone will be on their own for the Sat. night meal.  Does not include painting supplies.

Accommodations:  The Flying W Ranch is near Clements, KS off Hwy 50, approximately 31 miles west of Emporia, in the heart of the Flint Hills.  Our accommodations will be the Lodge and the Prairie Room Cabin at the Flying W Ranch Bunkhouse location.  Accommodations are heated and air conditioned and towels and bedding are provided.  Our meals will be served at the Lodge. 

About Flying W Ranch:  The Flying W Ranch is located in the heart of the Flint Hills, America’s last tallgrass prairie, and is operated by fifth-generation Flint Hills ranchers Josh and Gwen Hoy. This 7,000 acre cattle ranch offers grand vistas, relaxation, and memorable experiences for all of its guests. The ranch is based at their home, a 1890s homestead with a historic three-story red barn, nestled in the Cottonwood River Valley in Chase County, Kansas. The ranch normally has 50 horses, 250 cow-calf pairs, and 2,000 stocker cattle. To learn more about their ranch, visit: www.flinthillsflyingw.com.

Schedule:
Thursday, May 3, 2012: 
3:00pm:  Check in and free paint time
4:00pm:  Outdoor supplies discussion, free paint time
6:00pm:  Dinner at the Flying W Ranch Lodge
7:00-?:  Group Discussion and passing out materials

Friday, May 4, 2012: 
7am:  Breakfast at the Lodge
8am:  Demos and Painting
12:30pm-1:30pm:  Lunch at the Lodge
1:30pm:  Demos and Painting
6:00pm:  Dinner at the Lodge
7:00-?:  Group Discussion

Saturday, May 5, 2012: 
7am:  Breakfast at the Lodge
8am:  Demos and Painting
12:30pm-1:30pm:  Lunch at the Lodge
1:30pm:  Demos and Painting
6:00pm:  Dinner at Grand Central Hotel in Cottonwood Falls, KS
7:00-?:  Group Discussion

Sunday, May 6, 2012:
7am:  Breakfast at the Lodge
8am:  Critique and wrap up

Skill Levels and Media Accepted:  All skill levels can attend this workshop.  Because of the challenging nature of any plein air workshop, students need to have basic drawing skills and some familiarity with the subject matter and the medium in which it is taught.  Media accepted are oil and pastel.

Supplies:  When registering, please provide an email address as this is the easiest way to contact you.  After you register, a class confirmation will be emailed to you, along with a supply list, maps, and other information about the workshop.  Click here for supply list.

Registration:  All registrations are accepted on a first-come, first-served basis, so early registration is encouraged.  Deadline for registration is April 24, 2012.  The class is limited to 16 people.  A waiting list will be established.  Workshops without sufficient enrollment may have to be cancelled in which case a refund will be issued.  To reserve your spot, send a check payable to Kim Casebeer at 7637 SW 37th Street, Topeka, KS  66614.

Cancellation, Transfer and Refund Policy:  All cancellations must be in writing.  Registrations are not refundable after April 24, 2012, unless you can transfer your space or we can fill your space from the waiting list.  We can not guarantee a refund after April 24. 
Contact Information:
Kim Casebeer
kimcasebeer@att.net
785-409-8949

Saturday, June 25, 2011

On the topic of mediums....

I received this note from a fellow painter.


After attending the Kim Casebeer workshop I purchased some Galkyd Lite.     You get an immediate benefit after adding it to a pile of paint in that the paint flows on more easily.  But in a very short time it starts drying and makes your paint sticky and unusable unless you add more Galkyd and start the process all over again.  The more I use it the less I like it.  For me, the Liquin  works much better.


I also purchased the Galkyd Lite medium after the workshop with Kim.  I used the medium this week painting at the Nelson, and had the same results.  Very sticky paint palette within minutes, and unusable paint.  Kim did suggest adding turpenoid or Gamisol to  the Galkyd if it starts to get thick in the container.  I also added Gamisol to the medium/paint mixture, but I was pondering over why I would use the Galkyd when the Gamisol worked just fine for me.  Adding a medium changes the vascularity of the paint one is trying to improve or control. Kim was using it with her 'underpainting' which allowed her to use less paint and cover larger areas.  As we watched her mix up her paint, I even asked her why such a small amount of paint for such a large canvas.  She said she would get the coverage by mixing the Galkyd lite with the paint, and she did.  We were also in her studio, and not battling winds as I did at the Nelson.  This is part of the learning curve in workshops.. she made everything look easy....and usually it's not!  If anyone has a comment on these products, please leave a note.  Maybe I have missed a trick in using the Galkyd lite properly.  Or, maybe the best results are in the studio with this product, minus the wind, sun and heat.  I also prefer Liquin as my medium of choice, but maybe there is that 'learning curve' with the Galkyd Lite that I am impatient to wait for!